I woke up from a dream several years ago and wrote the words, "God is a singing sound in the heart of silence." ... Silence is not an absence. It is a presence. Listen to the bird. Its sound comes from and returns to silence. Trees are surrounded by silence. They grow from silence. All things in nature are children of silence... At the core of my being there is an open road, and three words to guide me, TRUSTING/BREATHING/ATTENDING. Trusting that the universe is a friendly place. Breathing from the deepest part of myself. Attending to the process of becoming. These three guiding words of wisdom call me to travel the open road. To attend, breathe and trust in the heart of silence. To listen for the singing sound of God.
When I sing I feel ecstatic, as if in communion with God. Maybe, when I sing, that's when I feel and experience it most in my life -- that lack of separation from God... I think that a song, if you allow it into your heart, can remind you that you are whole, that you are not just a fragment, but everything. If people sing, if they let themselves really sing, they can feel that inside... No matter who you are, if you sing from deep within you, transformation happens. A song, whether you are singing or listening, can let your heart open to the spiritual world.
Music is always in the air, particularly at night, for nature (being born of it) is necessarily more sensitive at night to the beautiful.
Late that afternoon I listened to Thomas Tallis's SPEM IN ALIUM, a motet written in the 16th century for forty voice, forty separate parts... I was sitting in my chair looking at Ma's photograph as I listened. At once, as the music began, the photograph started to emit great waves of Light. The Light possessed my mind and body, and I heard the music not without me but within my heart.
Her voice: In my stillness all the voices of the world rise in ecstasy. In my silence all the voices of the world are reconciled.
Each voice in the sublime motet sang in perfectly lucid ecstatic harmony with every other voice, forming endlessly changing transforming masses of illumined ripe sound.
In the new creation souls will sing together like this.
I heard spiral after spiral of ascending glorious sound rise calmly, with a passion at once detached and supremely intense, from its bed of Silence, rise, commingle in bliss, and finally culminate in the vast prolonged cry of Light on Light at the end of the work, a cry that does not end but seems to reverberate throughout the cosmos forever.
Dr. Eaglefield Hull describes Scriabin's attitude to music: His first symphony is a "Hymn to Art" and joins hands with Beethoven's Ninth. His third, the "Divine Poem", expresses the spirit's liberation from its earthly trammels and the consequent free expression of purified personality; while his "Poem of Ecstasy" voices the highest of all joys -- that of creative work. He held that in the artists' incessant creative activity, the constant progression towards the ideal, the spirit alone truly lives.
My musical productions came into existence through understanding and pain. Those which pain has brought forth seem to please the world most ... (out of pain comes new birth ... new life).
Within this life we live and have our being; this is the power, the wisdom and the love in which we are encompassed. And yet bodily we remain in shadow because we are clothed in the darkness of the earth. But no one need ever remain a prisoner; it only requires the will to aspire and so to know the wisdom of the divine -- and the prisoner is free! And so we ascend in spirit, and being raised, we then step forth into a life heavenly in its beauty and are encompassed by a heavenly concourse... We may become conscious of music -- delicate, gentle, sweet music beyond all description -- which may swell in grand crescendo to embrace the great universal music of all creation. And we know that we are part of this grand orchestra.