Dr. Eaglefield Hull describes Scriabin's attitude to music: His first symphony is a "Hymn to Art" and joins hands with Beethoven's Ninth. His third, the "Divine Poem", expresses the spirit's liberation from its earthly trammels and the consequent free expression of purified personality; while his "Poem of Ecstasy" voices the highest of all joys -- that of creative work. He held that in the artists' incessant creative activity, the constant progression towards the ideal, the spirit alone truly lives.
The silence that is experienced in being quiet and alone is not the deepest and most satisfying silence to be had. The heart's desire is for the Eternal, a level of silence that is penetrating in its power to draw forth the secret communication of the soul. Here, we discover that silence speaks and we learn how poor we are when we do not abide in this dimension. In this great silence, our being finds its roots in God, is nurtured inwardly, and gradually expands into a form of life that is itself eternal.