I had no idea that the gate I would step through
to finally enter this world
would be the space my brother's body made. He was
a little taller than me: a young man
but grown, himself by then,
done at twenty-eight, having folded every sheet,
rinsed every glass he would ever rinse under the cold
and running water.
This is what you have been waiting for, he used to say to me.
And I'd say, What?
And he'd say, This—holding up my cheese and mustard sandwich.
And I'd say, What?
And he'd say, This, sort of looking around.
Dear Friends ~ May, the month of spring in its fullness, a lovely midway point in the journey to the glorious long hours of summer light. The season is one of blossoming and resurgent life. There is much to be grateful for, to celebrate, to love. Yet as I walk in the greening forest so dear to me, I hold the knowledge that nothing stays: I have left my daily, intimate acquaintance with this place. The forest, for her part, is passing too: already the bluebells by the river's edge have vanished; the dogwood blossoms have fallen. Moreover, the changing climate is putting its own mark on many of the places and beings I have cherished. This is the exquisite melody of mortality. Mary Oliver hums it in giving her well -known advice on living from her poem "In Blackwater Woods":
To live in this world
you must be able
to do three things:
to love what is mortal;
to hold it
against your bones knowing
'Tis a fearful thing
To love
What death can touch.
To love, to hope to dream,
And oh, to lose.
A thing for fools, this,
Love,
But a holy thing
To love what death can touch.