Dear Friends ~ The expectant hush awaiting a baby's first breath, the temporary cessation of wind in the eye of a hurricane, the awkward pause in a conversational misstep, the profound stillness of woods blanketed in snow— there are so many kinds of silence. Silence can be sad or sublime, scary or sustaining; a fretful silence soaked in fear and anxiety or a silence pregnant with hope, expectancy, longing. Beyond, or perhaps within, these is the Silence of mystery, of luminous moments, and of communion.
How can we embrace the silence that carries the whispers of wisdom? Can we learn to hover on the outer edge of comforting bustle long enough to fall into unknown depths of sustaining stillness? Do we create sacred spaces to hold the stillness full of meaning? Is it intentional practice— the disciplined mind of the Dalai Lama's teachings— that leads us into the womb of silence? Or is it grace— the "surprised-by-joy" kind in CS Lewis' writing— that brings us these silent gifts? However we encounter Silence, we name her "Friend."
We are so grateful to all of you for your gracious encouragement and generous support. We wrote truthfully in our October appeal about the challenges as well as the joys of producing this Letter. In an effort to catch our collective breath and to bring the Letter to you nearer the beginning of each month, we are combining the November and December issues, just for now. In January, we'll share about how we imagine weaving the Letter in 2020. Until then, may all be well with you.
Though a world of increasing deafness shattered Beethoven's dreams of success in the outer world of society, it also caused him to turn within. And while human relationships came and went, Beethoven was discovering God, the eternal companion. This reorientation of his soul may well be the primary reason for the higher level of composition in his second period creations ... stemming from a fundamental need to express through music new and deeper worlds of soul-experience. Whereas before he composed for himself, in his second period, Beethoven was consciously striving to become the musical servant of God.