In his award-winning book, Exclusion & Embrace, Bosnian-born theologian Miroslav Volf says, "It may not be too much to claim that the future of our world will depend on how we deal with identity and difference."...Where articles of belief threaten to set people in opposition to one another, we may embody articles of peace. Where difference is demonized, we may host suppers with surprising guest lists...We may test the premise that God uses the weak to confound the strong as well as the promise that the God who made others different from us is revealed in them as well as us.
Mozart's music belongs to all humanity, for the feelings that it expresses are not only his own. Carried to the spiritual elevation that universal symbols require, the symphony is untainted by petty individualism. The music belongs to the world of hope and serenity, not to any particular religion. His work was never a cry but rather a continual revelation. Love, light, and death are one in his music, to such a degree that a single theme sometimes contains all these. Mozart apprehends the human being, their feelings, pain, and hope, then, he leaves us alone in the light, facing the revelation of his own reason for being.