Perhaps nothing would be said at first, but eventually a sound, a poem, an artwork or an impression would spark an exchange, and there would be a clear flow of meditative, constructive thought. Periodic silences would follow, to which we both listened almost as if the quiet were a third party speaking to us. And in response to that stillness we would breathe deeply, come to a sort of relaxed attention, and in a humble, reverent manner lower our eyes, as though acknowledging the mystical presence of something greater.
Moses' motions were like a dancer's ... sliding, circling, turning — his movements finding balance and his eyes finding voice ... a bark of delight when he saw a true shot, a rasp of laughter as he found the right angle, the click of his tongue when he snapped the perfect picture.
And the camera which Novalee had thought old-fashioned and unwieldly, looked small and delicate in Moses' hands, hands that moved in magical ways, fingers that found their own rhythm and knew, without knowing, when is was right.