Once there was a great bombing, and I had my baby sister with me. I had Maria on my back and I was running back home, but I could not breathe, I could not swallow. I could not say anything. When I came home, mamika embraced me. She said, "Why are you so frightened?" That was such a balm to me. Her words still live inside me. She said, "All of us will meet anyway, even if they kill you. "There was such a strength for me in those moments. Through my mother's calm, unshakeable faith, God came to comfort me.
I started to compose the opening of "Fos" (light) and I had the idea of a string trio playing in the distance which would represent the soul yearning for God. The choir represented God in uncreated energies. This yearning choir is played by the string trio which is cut off by the joy/sorrow chord by the choir singing the word "Fos," light, light, light, light, light -- until it becomes an expanded light separated from all yet united to all, and moving straight into the second section, Doxa: symbolizing the glory of that Light filling everything with light.