In order to continually re-imagine ourselves through our work lives, we must have a part of us that belongs to something beyond the status quo. Something over the horizon or, paradoxically, beneath us, in the ground of our life. Something as yet hidden, yet to be brought to light. Something which is governed by other laws than the ones we so assiduously obey every day. Something to do with the laws that govern the way we belong to this stubborn and beautiful world.
Mozart's music belongs to all humanity, for the feelings that it expresses are not only his own. Carried to the spiritual elevation that universal symbols require, the symphony is untainted by petty individualism. The music belongs to the world of hope and serenity, not to any particular religion. His work was never a cry but rather a continual revelation. Love, light, and death are one in his music, to such a degree that a single theme sometimes contains all these. Mozart apprehends the human being, their feelings, pain, and hope, then, he leaves us alone in the light, facing the revelation of his own reason for being.