I go among trees and sit still.
All my stirring becomes quiet
around me like circles on water.
My tasks lie in their places
where I left them, asleep like cattle.
Then what is afraid of me comes
and lives a while in my sight.
What it fears in me leaves me,
and the fear of me leaves it.
It sings, and I hear its song.
Then what I am afraid of comes.
I live for a while in its sight.
What I fear in it leaves it,
and the fear of it leaves me.
It sings, and I hear its song.
Moses' motions were like a dancer's ... sliding, circling, turning — his movements finding balance and his eyes finding voice ... a bark of delight when he saw a true shot, a rasp of laughter as he found the right angle, the click of his tongue when he snapped the perfect picture.
And the camera which Novalee had thought old-fashioned and unwieldly, looked small and delicate in Moses' hands, hands that moved in magical ways, fingers that found their own rhythm and knew, without knowing, when is was right.