Klee died relatively young and his style changed as the inevitability of death became inescapable. With great seriousness in one of his last paintings, Klee announces that death is a purifier, like fire, and a means to fulfillment. This is the once terrible, seen as the most beautiful. This is the real power of joy, to make us certain that beneath all grief, the most fundamental of realities is joy itself.
The rooting (of trees, of our selves) is as important and as necessary as the rising. We have the opportunity to sink roots into soul and rise up with branches in heaven...
Our spiritual growth is meant to go in both directions, toward the fertile darkness and the glorious light, each of us having the opportunity to bridge earth and heaven—the underworld and the upperworld—through the trunks of our middleworld lives....
There's no conflict between spirit-centered being and soulful doing, between transcendence and inscendence. Each supports and enhances the other. Like Rilke, we discover we can have both:
You see, I want a lot
Maybe I want it all;
The darkness of each endless fall,
The shimmering light of each ascent.
