I started to compose the opening of "Fos" (light) and I had the idea of a string trio playing in the distance which would represent the soul yearning for God. The choir represented God in uncreated energies. This yearning choir is played by the string trio which is cut off by the joy/sorrow chord by the choir singing the word "Fos," light, light, light, light, light -- until it becomes an expanded light separated from all yet united to all, and moving straight into the second section, Doxa: symbolizing the glory of that Light filling everything with light.
Gestures, actions, and facial expressions may be less precise than the spoken word, but they are altogether a more reliable form of communication. Reading to [the wild] Fox mattered because of pauses and eye contact. Our actions, not our words, built our trust in each other, and we based our relationship on shared activities, not dialogue. In fact, I was more relaxed communicating to Fox than I would have been with a person. Consider how difficult it is to communicate when our tongues send us in one direction and our feet take us in another.