On the brow of the hill, behind a silent chapel,
two windmills spin new soundscapes over
the land, cart-wheeling alleluias.
Cloistered granite holds an orchestration
of birds, and eerie whirr, tremulous sounds
of curlew and lapwing. The wind
through the metal gate is a speaking in tongues
with the broken feed-hoop tuning in:
other-worldly, intimately insistent.
All this music to attend to, to slip into:
an old organ droning, an uproarious lullaby.
Up over da hill, arms turn, the heart lifts.
Serious spiritual practice is more than serene walks in the woods, lit candles and incense. You have to be committed. Your have to be willing to enter into your own darkness and transcend it.