The first three notes -- the root, the fifth, and the minor third -- seemed entirely magical. In their simplicity he heard the implication of the whole piece itself, and from that, from his awareness of the fugue, came an awareness of all-of-music, as if all notes were contained in any single note. The perception was evanescent, but so powerful as to wipe away thoughts of himself. Music is here! Music has been here forever and always will be here! It was so much larger than life, so ineluctable strong, so potent an indicator of a kind of heaven on earth, that all else was swept before it. He saw this in a flash. In a nanosecond.
It is a necessary part of this Work that everyone must eventually pass, to see in ourselves by sincere observation, how we cling to our negative emotions with one hand and try to free ourselves with the other. The Work inevitably leads everyone to the same places and the same experiences. We must reach the point of discerning our own helplessness, of realizing our own mechanicalness. And this, if it is not a negative experience, will bring us into a state of self-remembering. Through seeing our helplessness we attract help. For realizing our own helplessness puts us into the Third State of Consciousness where help can reach us.
~ Maurice Nicoll in PSYCHOLOGICAL COMMENTARIES ON THE TEACHING OF GURDJIEFF AND OUSPENSKY, VOL. 1