At a conference on the Iranian poet Hafez I attended recently, one of the older Persian speakers suddenly leaned forward to the audience and said, "Make your work The Face of the Beloved, and let what you create be her lashes, her mole, her lips." To do that would mean carrying all these gifts, letting the radiance of the World beyond the world shine into each cottage door you come to. Doing so requires both huge strength and the capacity for a kind of visible luminosity, an active principle that can only be born from a great stillness.
All things belonging to the earth will never change—the leaf, the blade, the flower, the wind that cries and sleeps and wakes again, the trees whose stiff whose arms clash and tremble in the dark . . . all things proceeding from the earth to seasons, all things that lapse and change and come again upon the earth—these things will always be the same, for they come up from the earth that never changes, they go back into the earth that lasts forever. Only the earth endures, but it endures forever . . . Under the pavements trembling like a pulse, under the buildings trembling like a cry, under the waste of time, under the hoof of the beast above the broken bones of cities, there will be something growing like a flower, something bursting from the earth again, forever deathless, faithful coming into life again like April.