Transfiguring experience is not granted to people as an easy and ready access to glory. Only in going up the mountain, rejecting and being rejected by the world, identifying with those who are most broken, does one encounter the divine refulgence...Our substitution of consumer tourism for pilgrimage, of canned experience for life-changing risk, is symptomatic of our inability to entertain in any way the reality of our own transfiguration.
Mozart's music belongs to all humanity, for the feelings that it expresses are not only his own. Carried to the spiritual elevation that universal symbols require, the symphony is untainted by petty individualism. The music belongs to the world of hope and serenity, not to any particular religion. His work was never a cry but rather a continual revelation. Love, light, and death are one in his music, to such a degree that a single theme sometimes contains all these. Mozart apprehends the human being, their feelings, pain, and hope, then, he leaves us alone in the light, facing the revelation of his own reason for being.