Mozart's music belongs to all humanity, for the feelings that it expresses are not only his own. Carried to the spiritual elevation that universal symbols require, the symphony is untainted by petty individualism. The music belongs to the world of hope and serenity, not to any particular religion. His work was never a cry but rather a continual revelation. Love, light, and death are one in his music, to such a degree that a single theme sometimes contains all these. Mozart apprehends the human being, their feelings, pain, and hope, then, he leaves us alone in the light, facing the revelation of his own reason for being.
Humanity—in fact, the entire Earth community—currently exists in such dire circumstances that the most significant, viable, and potent solutions will seem like impossible dreams to most everyone (at first). But this is apparently the way it has always been in our universe. At the greatest moments of transformations—what Thomas Berry calls "moments of grace"—the "impossible" happens....
If you consider the data on such things as current wars, environmental destruction, political-economic corruption, social/racial divisions, and widespread psychological breakdowns, there seems to be little hope for humanity and, by extension, most other members of the biosphere. But if, alternatively, you look at the fact of miracles—moments of grace—throughout the known history of the universe, it will dawn on you that there is and always has been an intelligence or imagination at work much greater than our conscious minds. Given that we cannot rule out moments of grace acting through us in this century and the next, we have no alternative but to proceed as if we ourselves, collectively, can in fact make the difference...