Joy is a piercing desire, a mystical longing both painful and sweet: a kind of homesickness for a home we scarcely remember.
If only he could work faster.Yet if he did work faster, how could he produce paintings grounded in deep beds of contemplation, the only way living things could be stilled long enough to understand them?And wasn't everything he painted--a breadbasket, a pitcher, a jewelry box, a copper pan--wasn’t it all living?