Barnaby was like a mood, a fragrance of the harmonious inner life, permeating everything with which he came into contact. He knew sorrow and he knew joy, and he held them in a delicate balance of serenity and peace. He knew how to respond equally joyfully to an invitation to walk or talk or sit together, which seems to me to be a particular kind of training in grace -- a willingness to respond easily and happily to even the most modest adventure together. Perhaps it could be said that within his framework of being a dog, he lived life as a spiritual exercise.
As Rembrandt's life moves toward the shadows of old age, as his success wanes, and the exterior splendor of his life diminishes, he comes more in touch with the immense beauty of the interior life. There he discovers the light that comes from an inner fire that never dies; the fire of love. His art no longer tries to "grasp, conquer, and regulate the visible," but to "transform the visible in the fire of love that comes from his own unique heart."