Frederick Franck turned to the door of the building, a massive wooden sculpture in the form of the sun and its rays, and pushed it open.I saw that it turned on a central axis, so that only one half of the door was open at any one time.To remind us, he murmured, that we step into this sacred space as we walk into life, alone and silently . . .I looked around me and marveled at this ninety-year-old man from whose hand had sprung everything I could see.He had carved the door, made the stained-glass windows and every other object in sight.Pacem in Terris, I realized, was one man’s act of artistic faith: a work of art outside the parameters of the art world, and also a religious statement unconfined by any religion.
One morning, as a fire flamed back of a handsome eighteenth-century glass screen, I looked for the silence underneath the explosions of the fire... By now I was adept at finding the silence wherever it was. As I settled into it this morning, letting it fill my ears, mind and being, I heard the words: "I'll never abandon you, no matter what you do." ... Once I heard it, I learned to go and find, first the silence and then to wait for the voice. It comes OUT of the silence. It doesn't always come. But somehow I know it will again. And this knowledge has changed my existence. What I have to do, I now understand, is keep myself ready to hear it when it does.