I started to compose the opening of "Fos" (light) and I had the idea of a string trio playing in the distance which would represent the soul yearning for God. The choir represented God in uncreated energies. This yearning choir is played by the string trio which is cut off by the joy/sorrow chord by the choir singing the word "Fos," light, light, light, light, light -- until it becomes an expanded light separated from all yet united to all, and moving straight into the second section, Doxa: symbolizing the glory of that Light filling everything with light.
I began to face death and its implications very young. I could never have imagined then how many kinds of death there were to follow, one heaped upon another. The death that was the tragic loss of my country, Tibet, after the Chinese occupation. The death that is exile. The death of losing everything my family and I possessed ... for we had been among the wealthiest and most famous in Tibet.