All things belonging to the earth will never change—the leaf, the blade, the flower, the wind that cries and sleeps and wakes again, the trees whose stiff whose arms clash and tremble in the dark . . . all things proceeding from the earth to seasons, all things that lapse and change and come again upon the earth—these things will always be the same, for they come up from the earth that never changes, they go back into the earth that lasts forever. Only the earth endures, but it endures forever . . . Under the pavements trembling like a pulse, under the buildings trembling like a cry, under the waste of time, under the hoof of the beast above the broken bones of cities, there will be something growing like a flower, something bursting from the earth again, forever deathless, faithful coming into life again like April.
I find it impossible to doubt music while actually playing it. Even as the rest of my life seems overpopulated with questions and uncertainties about why one thing should be done instead of another, in the midst of the playing, dancing around silence and space with the presence of notes, the music always seems to matter. I still want to reach for those notes that must be played, that are right because they are essential melodies, unavoidable tones, songs that cannot be defied. This music is silent even when it sings because it does not speak--it cannot be reduced by explanation.