I once heard the pianist, Arthur Rubinstein, being interviewed. At one point he was asked to share his experience of playing Chopin's Nocturnes. He said in effect, "I do not know what it is. But over and over again I have had the experience of sitting in a crowded concert hall playing the Nocturnes and I can feel everyone in the room waiting for the next note." In this moment of waiting, all present find their contemplative community in their oneness with one another in the boundless mystery that enraptures them.
On a dark afternoon -- I was ten or eleven -- I was walking on a country road, on my left a patch of curly kale, on my right some yellowed Brussel sprouts. I felt a snowflake on my cheek, and from far away in the charcoal-gray sky I saw the approach of a snowstorm. I stood still. Some flakes were now falling around my feet. A few melted as they hit the ground. Others stayed intact. Then I heard the falling of the snow, with the softest hissing sound.
I stood transfixed, listening ... and knew what can never be expressed: that the natural is supernatural, and that I am the eye that hears and the ear that sees, that what is outside happens in me, that outside and inside are unseparated. It is the inexpressible, and the inexpressible is the only thing that it is worthwhile expressing.