I invented what I call the Invisible Art and Light technique. In normal light the painting appears one way, and when you turn on the black lamp, the beams of light emerge. It is also a brilliant metaphor. If we look with our physical eyes we see only the surface of the message. But when we look with our spiritual eyes we see so much more. We see the light that is given as a gift from Heaven. And isn't it interesting that a black light is used to see the whole picture? In the same way we must go into our own darkness, the things we hide because we are ashamed, in order to unleash the light within. It is only when we give our whole selves to God--the positive and the negative--that we are enlightened.
Late that afternoon I listened to Thomas Tallis's SPEM IN ALIUM, a motet written in the 16th century for forty voice, forty separate parts... I was sitting in my chair looking at Ma's photograph as I listened. At once, as the music began, the photograph started to emit great waves of Light. The Light possessed my mind and body, and I heard the music not without me but within my heart.
Her voice: In my stillness all the voices of the world rise in ecstasy. In my silence all the voices of the world are reconciled.
Each voice in the sublime motet sang in perfectly lucid ecstatic harmony with every other voice, forming endlessly changing transforming masses of illumined ripe sound.
In the new creation souls will sing together like this.
I heard spiral after spiral of ascending glorious sound rise calmly, with a passion at once detached and supremely intense, from its bed of Silence, rise, commingle in bliss, and finally culminate in the vast prolonged cry of Light on Light at the end of the work, a cry that does not end but seems to reverberate throughout the cosmos forever.