To the medieval thinker beauty was not a value independent of others, but rather the radiance of truth, the splendor of ontological perfection, and that quality of things which reflects their origin in God. Light and luminous objects, no less than musical consonance, conveyed an insight into the perfection of the cosmos, and a divination of the Creator.
A person is forced inward by the spareness of what is outward and visible in all this land and sky. The beauty of the Plains is like that of an icon -- what seems stern and almost empty is merely open, a door into simple and holy state.