On a sould discovery journey in the desert, our group included Miguel Gruntlein, who had studied the Peruvian flute. Early each morning I would hear Miguel somehwere near the camp playing the most serene song to gree the dawn with the same haunting tune; as we moved camp, the tune changed. When asked, Miguel said he was playing the songs of the canyon. Each place has its own song and reflects a unique facet of his soul that comes alive in the particular wild place he visits, a conversation between Miguel and the wild.
In my life-long impatience, how much I have missed. Last night, washing the dishes, I really looked at my iron frying pan in the dishwater. The light made visible for a moment a tiny rainbow—a light through water revealing all the colors of life. It is so easy to miss the tiny symbols. Finding them is quite different from the business of trying to hatch up big symbolic experiences. It is RECOGNITION, not PURSUIT, of meaning—recognition of the sacramental, of the intersection of the two worlds, breaking through unsought because one is ATTENDING.