My daughter, three years old and fearless, loves nothing more than wading along the shallow shoreline outside our house. Holding hands, we walk barefoot upstream quietly in the water, stepping delicately over stones. Besides the water sounds, there is just immense silence. We stop and listen to the water. She asked me for a story; I did not have one. Listening, she turned in delight and announced, "Daddy, this water is talking." In listening to the river a kind of silence prevails, broken only by the rush of water over rocks. Such a silence is more like faint echoes, each a series of dim reverberations. They continue in you, distant yet familiar.
Every artistic creation is an attempt to recover something of the original sense of order, of right proportion. Our capacity for wonder, for awe, our sense of the magical and the sacred, has its source here—in what we can call a state of grace, equilibrium. I suppose that what we refer to as sacred is so because of some primal relation between ourselves and the world. We feel that a part of our being is hallowed or blessed by this, that some acts of ours enhance this feeling, while others violate it.