As I was listening I thought about being in conversation with God, and I was struck by how much this piece of music mirrors my relationship with God. When I first began conversing with God, it was very simple, like the opening of the Fugue. In reply, God did not repeat my melody but responded in a harmonic way, just as Bach's instruments do. Over time, our conversation — the Divine's and mine — has built in richness, complexity, depth and beauty, like the fugue builds. Ebb and flow occur in the dynamics of both the music and my conversation with God, but my soul is constantly stirred by the heatbreaking beauty of what I hear and what I know.
Hope locates itself in the premises that we don't know what will happen and that in the spaciousness of uncertainty is room to act...Hope is an embrace of the unknown and the unknowable.