They sang a capella: one voice began to mount like a skylark and detach itself from the rest, from those mingled voices which together sounded well, but from whose conjunction with this single one soared in an intensity of beauty — a voice so clear and just, yet vibrant with such warm sweetness, I have remembered it always. The fact that this great, this glorious and rare voice was singing behind bars, that the face and identity of this singing nun would forever be unknown to us, shadowed the music. Mainly, we were awed to think this treasure was so hidden.
Every artistic creation is an attempt to recover something of the original sense of order, of right proportion. Our capacity for wonder, for awe, our sense of the magical and the sacred, has its source here—in what we can call a state of grace, equilibrium. I suppose that what we refer to as sacred is so because of some primal relation between ourselves and the world. We feel that a part of our being is hallowed or blessed by this, that some acts of ours enhance this feeling, while others violate it.