Aesthetics is concerned with form, shape, composition, expression, and seeing forms AS THEY ARE. Just as the artist is "inspired" and filled with enthusiasm, so too those who SEE are seized with the divine spirit. What is seen is the doxa (glory) of the form, but this glory is the glory of being. Balthasar argues that the mystery in such beauty is the interruption of the eternal into the material in such a way that one can speak of the event of beauty, the entrance of the numinous into this world. To see beauty is to be overcome by the glory that breaks out of this person, this poem, this picture, this flower... We are confronted by the sense of its Otherness.
CALCUTTA: A beggar, half-conscious, is lying on a mat in a home for the dying. A nun is kneeling by his side, her delicate fingers wiping his forehead with a washcloth. She is a peasant whose eyes shine like the wings of a heron flying around the sun, a silence whose light soars through the darkness.
How can I describe the beggar's eyes as he summons all his strength to motion her to draw close? She obeys.
It takes the beggar a long time to whisper something in her ears: "I have lived . . . like an animal. Now I will die . . . like an angel." The beggar's final words.