Watching for light was her vocation. Light and life were one and the same thing. There would be no life without light; it was the beginning; it was the substance that made things visible, that brought humanity to an awareness of what cannot be seen. It could enhance a thing and make it holy. This she had felt in her life as in her work, a sense of reaching for harmony beyond the human experience through light itself.
Mozart's music belongs to all humanity, for the feelings that it expresses are not only his own. Carried to the spiritual elevation that universal symbols require, the symphony is untainted by petty individualism. The music belongs to the world of hope and serenity, not to any particular religion. His work was never a cry but rather a continual revelation. Love, light, and death are one in his music, to such a degree that a single theme sometimes contains all these. Mozart apprehends the human being, their feelings, pain, and hope, then, he leaves us alone in the light, facing the revelation of his own reason for being.