In the center of the city, I am that child that screams in the tenement, the infant that cries in the night holding out its arms to be comforted. I am the young man and woman searching for their way. I am the weary, the wounded, the cold and hungry asking, "why?" ... the old and all who know pain and are acquainted with grief. The loved, the unloved, the abandoned, the lonely and the homeless ... I am all who thirst for the Way. I am child of God, of the Mysterious One, the Immutable, and a child of timeless time. I have no color and speak no language ... and yet, pushed down, way down to the bottom of the Cave to touch the Divine Flame, I become part of everyone and everyone is part of me. The way below and the way above is lit with the golden match of love. Thanks be to the name that cannot be named.
Dr. Eaglefield Hull describes Scriabin's attitude to music: His first symphony is a "Hymn to Art" and joins hands with Beethoven's Ninth. His third, the "Divine Poem", expresses the spirit's liberation from its earthly trammels and the consequent free expression of purified personality; while his "Poem of Ecstasy" voices the highest of all joys -- that of creative work. He held that in the artists' incessant creative activity, the constant progression towards the ideal, the spirit alone truly lives.