Mozart's music belongs to all humanity, for the feelings that it expresses are not only his own. Carried to the spiritual elevation that universal symbols require, the symphony is untainted by petty individualism. The music belongs to the world of hope and serenity, not to any particular religion. His work was never a cry but rather a continual revelation. Love, light, and death are one in his music, to such a degree that a single theme sometimes contains all these. Mozart apprehends the human being, their feelings, pain, and hope, then, he leaves us alone in the light, facing the revelation of his own reason for being.
To see all things at their origin, their beginning, puts us in kinship with all that lives: trees, birds, stars seem foreign to us only inasmuch as we perceive them outside of our common origin with them.To drink at the source of all that lives and breathes expands the heart and makes the blood sing, echoing the song of all the vital fluids in the world.To dwell near all beginnings is to draw infinitely near to that which creates both the unity and the diversity of all beings.