Once, in the early days of my desolution, I thought I might learn to write in the language of the spiders. Now, led by the Child, I am on my way to it. The true language, I know now, is that speech in silence in which we first communicated, the Child and I, in the forest, when I was asleep. It is the language I used in my childhood, and some memory, intangibly there by not quite audible, of our marvelous conversations, comes to me again at the very edge of sleep, a language my tongue almost rediscovers and which would, I believe, reveal the secrets of the universe to me the language whose every syllable is a gesture of reconciliation. I spoke it in my childhood. I must discover it again.
In THE SNOW LEOPARD, Peter Matthiesen describes his son, Alex:
In his first summers, forsaking all his toys, my son would stand rapt for near an hour in his sandbox in the orchard, as doves and redwings came and went on the warm wind, the leaves dancing, the clouds flying, birdsong and sweet smell of privet and rose. The child was not observing; he was at rest in the very center of the universe, a part of things, unaware of endings and beginnings, still in unison with the primordial nature of creation, letting all light and phenomena pour through.